Hey all, the You Choose episode for August will be a choice from one of the following.
The newspapers tell me Indy is turning 40 this year – Raiders of the Lost Ark of course released in 1981. My understanding is, while Spielberg and Lucas have spoken at length on the fictional influences on the character (everything from Charlton Heston in The Secret of the Incas, to early Scrooge McDuck.. in both cases check out that hat and jacket!), it’s always been assumed several real life adventurers were also in the mix.
Sooner or later I’m bound to write on Percy Fawcett and his Lost city of Z, so I’m taking him out of contention… Roy Chapman Andrews, Hiram Bingham III, Carl Akeley? etc I don’t know. Maybe we’ll get to those guys if Tales runs long enough… In a couple of decades maybe?
Ok, Carl Akeley in less than a paragraph. Akeley was the taxidermist who stuffed Jumbo the elephant, after Jumbo was killed by a train. He went on safari with Teddy Roosevelt; and once choked an attacking leopard to death with his bare hands – not getting at all wounded in the exchange (see picture).. A lot of the ‘real life Indy’s’, I think, could be similarly covered… Most of them are interesting, but few of them have ever struck me as being as interesting as a Henry Morton Stanley, Richard Francis Burton or even a Mungo Park.
Some characters however, seem very worthy of this own short Tale.
One – Frederick Russell Burnham.
Not only did he literally teach Robert Baden-Powell, founder of the Boy Scouts, a thing or two, and serve as an inspiration for H.Rider Haggard’s Allan Quartermain, he got into a load of scrapes across the globe. Burnham was involved in the Pleasant Valley War (a Wild West feud mentioned briefly in the post on Tom Horn), and the Apache Wars before moving to South Africa where he… well, vote to find out.
Two – Giovanni Batista Belzoni.
An Italian giant, and one time circus strongman with a formal education in civil engineering – Belzoni made one hell of a grave robber. Among the items he stole away with is that famous 7 tonne bust of Ramesses II everyone has probably seen at some time or other. He had many adventures in Egypt, before travelling to West Africa… Want to know more? Vote Belzoni.
Hey all, just a quick foreword. I’m not sure if I’ll be on track to release the Lord Lucan podcast episode exactly to schedule – besides small technical things like writing appropriate music (the man is/was a huge fan of Bach, which doesn’t reflect the era terribly well + from a technical standpoint is probably easier for me to approximate on an acoustic guitar (which takes longer for me to mic up properly and record) than on the tiny GarageBand keyboard on the iPad) I’m also two days off schedule as is. I’ll have the episode out as soon as humanly possible in any case.
In the meantime, a short Blog Only Tale this week. If going from this to John Bingham, arguably only the third worst person on his family tree – in spite of being a killer and massive loser (if you’re still alive John, and want to argue that fact, there is a comment box below) … to this tale, it may seem I’m consciously taking a swipe at the Hooray Henrys’ – I am.
It’s also a short Tale at a time when I’m a little time poor – unlike the deadbeat aristocracy of the 18th Century, many of whom it seems had but world and time to get sozzled on gin all day – and do dumb, cruel things to those they deemed beneath them.
Anyway, please enjoy.
Today’s tale is set on the night of January 16th 1749; the setting, The Haymarket Theatre – on London’s West End. Originally built in 1720, on a site formerly taken up by a pub and a gunsmith’s, there seemed a bit of ‘the little theatre who could’ about the place. While the Theatre Royal, Covent Garden and Drury Lane Theatre put on grand, operatic blockbusters – the Haymarket became well known for staging satirical pieces, often highly critical of the ruling elite. In 2021 many of these plays; penned by the likes of Henry Carey, Henry Fielding and a man named ‘Maggoty’ Johnson, would seem painfully conservative – we are talking about Tory writers after all, with their now painfully conservative values – These writers, and indeed thinkers, were trailblazers at the time. They advocated for property rights for the middle classes, more say in government, championed individualism, and demanded the aristocracy give a free hand to the market, to grow and innovate (something thought unthinkable in England before the ‘Glorious Revolution’ of 1688).
The Haymarket Theatre, with it’s – for then – radical ideas, found plenty of willing patrons in the growing middle classes. On January 16th 1749, the place was packed to the rafters – not for John Gay’s The Beggars Opera, or Fielding’s Rape Upon Rape – but for an illusionist. For weeks now, buzz had been building around the arrival of ‘The Bottle Conjuror’.
The easiest way to explain the Bottle Conjuror is to just paste the text of the advertisement, which ran in papers throughout January 1749, and let you all read it yourselves … so here goes.
“At the New Theatre in the Hay-market, on Monday next, the 16th instant, to be seen, a person who performs the several most surprising things following, viz.
first, he takes a common walking-cane from any of the spectators, and thereon plays the music of every instrument now in use, and likewise sings to surprising perfection.
Secondly, he presents you with a common wine bottle, which any of the spectators may first examine; this bottle is placed on a table in the middle of the stage, and he (without any equivocation) goes into it in sight of all the spectators, and sings in it; during his stay in the bottle any person may handle it, and see plainly that it does not exceed a common tavern bottle.
Those on the stage or in the boxes may come in masked habits (if agreeable to them); and the performer (if desired) will inform them who they are.”
A singer and multi-instrumentalist, a mentalist with an ability to recognise you from behind a mask – and most importantly – a contortionist so skilled he could climb into a ‘common wine bottle’? How could anyone miss that? The Haymarket was packed with paying customers, waiting in anticipation for this wonder. They waited, first patiently, then less so. The crowd would wait for several hours – staring at the empty stage – before the booing and calls for their money back started to shake the walls.
Samuel Foote, the manager of the theatre stepped out of the wings in an effort to calm the angry mob. As demands for a refund rose, someone in the crowd shouted something to the effect that they’d pay double if this conjuror just climbed into a pint bottle. This comment seems to be the match which lit the fuse to the crowd’s sudden, violent explosion. A significant portion of the audience rushed the stage, and began smashing, looting and engaging in arson. In short order, the rioting crowd had all but demolished the Haymarket, completely gutting the theatre.
A bonfire was lit in the street by the mob, made from the smashed up benches. Lit by the torn down curtains.
All other write ups on the incident mention at least one aristocrat was in the mixed crowd that night, Prince William – Duke of Cumberland. The second son of King George II escaped more or less unhurt, but was stripped of a jewel encrusted sword, which has never been seen since.
In the aftermath of the riot, several newspapers made light of the gullibility of the crowd. Some going as far to suggest – tongue in cheek – the act was a no show after someone put a cork in the bottle and kidnapped the performer during rehearsals. Suspicion for the hoax initially fell on theatre manager Samuel Foote, who legitimately appears to have had no part in it. A mysterious, shadowy figure described only as “a strange man” had put the night together.
Who was “Strange Man”? Academics’ best guess is John Montagu, the 2nd Duke of Montagu – a bored English peer with a love of ‘practical jokes’. A trained physician, former governor of the West Indies isles of Saint Lucia and Saint Vincent; and philanthropist who established a foundling’s hospital for abandoned children – as well as having paid for the education of two prominent black Englishmen – the writer and composer Ignatius Sancho, and poet Francis Williams… Montagu is clearly a complex character. For our purposes, what’s worth knowing is he had a sense of humour which normally ran to dousing house guests in water and lacing their beds with itching powder.
He was rumoured to detest the rising middle classes, and it is said he staged the Bottle Conjuror hoax following a night drinking with other toffs. It’s said he made a bet enough Londoners would be stupid enough to believe a fully grown adult could climb into a quart bottle, that he could fill a theatre with them. The aristocracy being a law unto themselves in those days, no one ever charged the Duke – who, in any case, would die in July of that year.
Would they have been met by a wall of silence, had authorities called on the toffs to turn on one of their own? Well, maybe let’s discuss that after the episode on Richard John Bingham, 7th Earl of Lucan.
Hey all, this post is part two of the two part tale on the rocketeer Jack Parsons. If you’re picking up from here I recommend jumping in to part one first. If you’ve already read part one – welcome back.
This week’s tale begins on the Pacific Island of Oahu; the time? – around 7.48 am Sunday morning, December 7th 1941. Much of the world was now engaged in a brutal, mechanised war – fought largely with the kind of deadly machines that chew up 60 million people, then spit out the bones. Oahu, by extension of the neutrality of the empire who annexed them in 1898, had no dog in this fight. All the same, today, they would be rocked from their peaceful slumber by a sneak attack by the Imperial Japanese Navy Air Service. 353 Japanese aircraft strafed and bombed the naval base at Pearl Harbour for just 75 brutal minutes. The carnage was significant. All eight battleships on the base were damaged – four sunk. Three cruisers, three destroyers, a minelayer and 188 aircraft were either badly damaged, or destroyed completely. More importantly, 2403 Americans were murdered, a further 1178 wounded. Mitsuo Fuchida, the pilot who led the first wave, and ordered the second wave by uttering the words ‘Tora! Tora! Tora!’ Would soon report back they had destroyed the entire U.S. Pacific fleet.
Seven and a half hours later, an official declaration of war – in the name of the Emperor Hirohito – ran on the front page of every Japanese newspaper. The declaration would be reprinted on all front pages, on the eighth of every month till Japan surrendered in September 1945. Across the Pacific, this horrific act galvanised the USA into action. President Franklin D Roosevelt appeared before congress to deliver his ‘…date which will live in infamy…’ speech. In a little over seven minutes, Roosevelt captured the mood of the nation – selling Congress on the urgency of entering this just war against the fascists. Within an hour, all but one dissenter – Jeannette Rankin, a lifelong Pacifist representative from Montana – voted to take the war to the Axis powers.
Just like that the Suicide Squad became extremely busy – Aerojet extremely wealthy. While this can’t have sat well with many of them – the squad including a number of pacifists and communists – they were united in their hatred of fascism. Throughout 1942 they continued to labour in the Mojave desert, making increasingly powerful jet engines. The military needed a safe propulsion system powered by a solid fuel source. After dozens of prototypes Aerojet finally developed GALCIT-53, a rocket which fit the bill to a T. Liquid asphalt was used as a binding agent – Parsons’ idea, influenced by tales of ‘Greek Fire’ – a now lost weapon used by the Byzantine Empire which sounds something like Napalm. This was the game changer. The addition of asphalt to the mix allowed indefinite storage, mass production and usage in all weather conditions. Aerojet were now flat out producing rockets for the war effort.
Alongside their recently hired lawyer and treasurer Andrew Haley, Jack Parsons became something of a spokesman for the group – often travelling the country to meet with the top brass.
This sudden prosperity, and constant travel allowed Parsons’ other life – as a rising star in the Ordo Templi Orientis – to take off also. On one trip to New York, he met with Alesteir Crowley’s 2nd in charge, Karl Germer. As with his correspondence with Crowley himself, Parsons impressed Germer. He also made a point of dropping in on the Library of Congress’ Poet Laureate, Joseph Auslander, with copies of several of Crowley’s books, for the library’s collection. As a well connected man with an ability to sell a cult, it seems, Jack Parsons increased the membership of the O.T.O considerably.
Unfortunately, for some of the longstanding members of the O.T.O, a lot of these newcomers were drawn in with promises of greater sexual freedom. While sex magick made up much of their practice – the sex should always be in support of their higher goals. Many of Parsons’ new acolytes seemed only interested in the sex, not the magick. On the face of it, few seemed to typify this as much as Jack and Helen Parsons themselves. Jack was now having an open affair with Helen’s seventeen year old sister Betty. In retaliation Helen began an affair with the leader, Wilfred Smith. The cult were generally supportive of this bed swapping, till Helen replaced Regina Kahle as the priestess in their masses. At this point, several members started complaining the O.T.O had become on giant swingers’ party.
In June 1942 Jack used his new found wealth to rent (then later buy the lease for) a new home for the members of the Agape Lodge. He rented 1003 Orange Grove Avenue, a large American Craftsman styled mansion in the former Millionaires’ row. While now well off, the Stockmarket crash had cleaned out a lot of wealthy industrialists – and homes like 1003 Orange Grove – hereafter named ‘The Parsonage’, were going for a fraction of their former price. On June 9th the O.T.O moved into the mansion – Parsons setting up a home lab in the carriage house. With plenty of space to practice magick, a growing sense of community among those living at The Parsonage, and 25 acres of land to party on – the cult picked up 40 new members by the end of the year. Parsons even, slightly warily, introduced his colleagues at Caltech to the cult – putting on a largely secular party for the Winter equinox, at the Parsonage.
At this time Crowley started bypassing Smith, asking Jack to lead a number of initiatives. Time poor from his commitments to the O.T.O, and often the worse for wear from long nights of drug, sex and alcohol fuelled parties; people at Aerojet started questioning Parsons’ fitness to work on the project. Where some had formerly accepted his interest in the occult as eccentricity – others started to show concern as Jack loudly chanted the ‘Hymn to Pan’ – in the manner of a Televangelist in full flight – at rocket tests. To complicate matters, the FBI formally opened an investigation into the O.T.O’s Agape lodge again. Someone reported them as a devil worshipping, black magic cult. Suspicion fell on Regina Kahle – now pushed to the side for Helen… or Grady McMurtry, a protege of Parsons, who some suspected as his wife first had affairs with Parsons and Smith – then left him. Grady would, as it turned out, eventually lead the O.T.O – while Regina distanced herself.
The bad publicity for the O.T.O would not go unnoticed by Crowley – who blamed Smith, not Parsons, for the publicity – and increasing number of free love acolytes. This was undoubtedly helped along by Helen Parsons’ pregnancy to Smith. Aleister Crowley, needing Wilfred Smith gone, came up with a novel plan to get rid of him.
In Crowley’s Liber 132, he stated he’d gone over Smith’s astrological chart again, and it was all rather impressive. Turns out Wilfred T Smith was a God. As it was hard to state which God, Crowley ordered him to tattoo ‘666’ on his forehead, then to go out into the desert to ponder on which God he was. Smith was told this may take a very long time. Smith flat out refused this suicide mission and resigned. Crowley and Karl Germer then poisoned the well, spreading a rumour that Smith left after being caught raping a newcomer. At around this time Parsons tried to resign, but Crowley convinced him to stay on. In the meantime, Aerojet continued their upwards trajectory – barely keeping to their order for 2,000 jet propulsion engines throughout 1943 – then an even bigger order for 1944. Parsons kept on, as tired and seedy-looking as ever. Still chanting the ‘Hymn to Pan’ at test flights. In 1944, they changed their name to the Jet Propulsion Lab.
“…I am Pan! Io Pan! Io Pan Pan! Pan! I am thy mate, I am thy man, Goat of thy flock, I am gold, I am god, Flesh to thy bone, flower to thy rod. With hoofs of steel I race on the rocks Through solstice stubborn to equinox. And I rave; and I rape and I rip and I rend Everlasting, world without end, Mannikin, maiden, Maenad, man, In the might of Pan. Io Pan! Io Pan Pan! Pan! Io Pan!”
Thus far we haven’t written nearly enough on Parsons’ connection to another group of people – Science Fiction fans. It bears a quick mention.
Jack Parsons, like a lot of early rocketeers, was crazy for science fiction. From early on in his career, Parsons was regularly invited to speak at the Los Angeles Science Fiction League – a group of Sci Fi lovers who regularly met at Clifford Clinton’s Clifton’s Cafe (also aforementioned in this tale). As a regular visitor he became friendly with a number of members – some of whom became regular visitors to The Parsonage, some even followers. Jack Parsons was also good friends with a number of science fiction writers.
In March 1944, Astounding Science Fiction Magazine published a story called ‘Deadline’. Written by one Cleve Cartmill, a former newspaper reporter and accountant, it told the story of an alien commando trying to save their world from alien Nazis who had built a super bomb. The bomb in question was described in close detail – and bore a remarkable resemblance to the bomb being built by the, then top secret, Manhattan Project in the Los Alamos desert. How did a non-technical guy – who I should mention now was a regular visitor to O.T.O masses – know anything about uranium 235 bombs and the like? Authorities were very keen to find out. The story was eventually chalked up to coincidence, but it added more pages to the dossier on Parsons.
In December 1944 the Jet Propulsion Lab sold 51% of it’s stock to the General Tire and Rubber Company. They had to, in order to grow to meet demand for their rockets. Most of the Suicide Squad were convinced by Andrew Haley to sell their shares. Jack sold his for $11,000 – before being summarily dismissed – the General Tire and Rubber Company didn’t want to keep an eccentric, chanting occultist on their team, regardless of how much he’d contributed to the project. Jack suddenly found himself at a loose end – just as the O.T.O saw a large drop off in membership. Needing more tenants to help pay the bills, Jack placed an ad in the paper, stating “… only bohemians, artists, musicians, atheists, anarchists, or any other exotic types need to apply for rooms.”
Enter Ron, in late 1945.
It could be very easy to get lost on the weeds over Ron, his could be a full Tale in his own right. He grew up on Naval bases, as a military brat and joined the navy as one of their worst sea captains in the war (at one point attacking an island in the mistaken belief he had found a submarine). Ron had lived a life of adventure, and was full of tall tales. He was also a prolific science fiction writer, with connections to Parsons through the Sci Fi circles. He soon became a well- loved guest at The Parsonage – especially so of Betty – Parsons’ de facto wife. It did not take long for Ron and Betty to start a sexual relationship, and for Betty to move out of Jack’s room, into Ron’s. Animosity grew between the two men.
From December 1945, Jack Parsons more or less disappeared into his bedroom. All day long he could be heard chanting arcane rites, allegedly passed down from Elizabeth I’s astrologer John Dee – noisy, violent chants which had everyone in the Parsonage convinced Jack was trying to summon a demon to drag Ron down to hell. Over and over again, in frenetic two hour sessions, Jack would chant at his altar – in the background, Prokofiev’s 2nd Violin concerto on endless repeat on the record player – for months. Tenants at the Parsonage reported strange winds, light beams, and power cuts during the rituals. At some point in the ritual, Parsons sensed Ron may be a lightning rod for this energy he was tapping into – leading to his unwilling participation in the rituals. After a few weeks, where guests claimed to hear voices, and see spirits (one of whom looked like the Godlike Wilfred Smith (still very much alive) Jack and Ron ventured out, at sunset, into the Mojave desert. As one chanted, the other claimed to see visions – no doubt so he could just get home, to Parsons’ wife – the air changed. A massive weight fell off Parsons shoulders. The spell was cast.
Jack Parsons wasn’t trying to summon a demon to kill Ron, he was trying to conjure a new wife.
When the two men returned home, Marjorie Cameron – an artist also known as Candy – was waiting to meet the master of the house. She was looking for accommodation, and heard it was just the kind of place she was looking for. Parsons would later write to Crowley “I have my elemental”.
Jack and Candy soon became an item.
The following year was not uneventful, but to sum up quickly; Jack and Ron summoned another being – a Goddess Jack named ‘Babylon’, to keep Crowley company. Crowley changed the spelling to ‘Babalon’ for astrological reasons I don’t understand. The culture of the Parsonage, and of the O.T.O in general changed – suddenly becoming more aligned with the beatniks. Jack started to feel old, and a little square. He also missed his business – so he handed in his notice to the O.T.O, gave notice to the tenants of the Parsonage that he was selling the property – and moved into the Carriage House. He went into business with Ron and Betty. Their first plan was for Ron and Betty to travel to Miami with $20,000 of Jack’s money, to buy three yachts. The yachts would be transported back to California, to be sold for a profit.
Unfortunately for Jack, Ron and Betty ran off with his money. They did buy a yacht – The Harpoon – and planned to sail off into the sunset together. After a magick invocation to the God Mars to stop the couple, Jack got on a plane to Miami and, through the courts – actually managed to stop them stealing all of his money.
All the same, Ron bigamously married Betty (he abandoned, but never divorced his first wife during World War Two). After a failed attempt to re-write the rules of psychology – a system called dianetics – Ron ….. L. Ron Hubbard … formed his own, far more successful religion than Aleister Crowley’s. By 1953 he established The Church of Scientology. When asked about his time at The Parsonage, he’d claim the Navy sent him there to bust up the cult and rescue Betty Northrup.
The post-war years were hard on Jack in other ways. At first he seemed content in his new role, a job at North American Aviation – and happy to put the O.T.O behind him. On October 19th 1946, now long divorced from Helen, and over Betty – he married Candy. Aware of the impediment a lack of any formal education posed, Jack took night courses in advanced mathematics. He wrote to Crowley, but Crowley was now lost to heroin addiction and would pass on in 1947.
In 1948, however, the first rumblings of the Communist witch hunts began.
A number of members of the Suicide Squad were outed as members of the Communist party, and lost their security clearances. Jack was stripped of his clearance for attending a few meetings. He lost his job because of this. Candy left Jack, and moved to an artists’ commune in Mexico. At first, Jack took any odd jobs he could find, and in 1949, sued to get his security clearance back. He’d never been in the Communist party, why should he lose his livelihood over something he never was? He won his case, and was restored to his old job, with back-pay. A Pyrrhic victory, he’d subsequently be stripped of his clearance and let go, after a decision stating his connections to the O.T.O and Crowley made him undesirable. He found work setting up explosions for movie sets – and working for Howard Hughes.
In 1950, Jack sent a proposal to the newly established state of Israel – to set up a rocket programme for the country. The Israelis were interested, and asked Parsons to work up some costings. In doing so, he leant on costings on similar projects he was working on for Hughes, and asked his secretary to type up his proposal for him. She panicked, contacting the FBI. Parsons was now under investigation for international espionage, and only drawing income by continuing to make squibs for Hollywood movies. Reporters started to dig into the ‘former sex cult on Orange Grove Avenue’ – and Parsons slumped into a depression. Hearing the news, Candy returned to Jack immediately.
Which brings us, more or less full circle. By 1951 Jack Parsons was cleared of the espionage charges. Candy was back. He was getting enough work from Hollywood to keep a roof over his head. Knowing his security clearance was gone forever, Jack and Candy planned to sell up the Carriage House and move to Mexico. Stage one of the move was to clear a warehouse full of explosives he’d accumulated – and for now, at least – store them in his basement lab. He packed up his lab in the days before the move, and arranged for tenants to take over the Carriage House.
On moving day, a final order came in from the movie makers in Tinseltown. We know you’re crossing the border, but could we bother you for one more job? All his equipment packed away, Jack Parsons prepared his final pyrotechnic display, in an old coffee mug.
On June 17th 1952, at 5.08 pm, a deafening explosion caught the attention of the suburb of Pasadena. At it’s epicentre – the Carriage House once belonging to 1003 Orange Grove Avenue – a 37 year old man lay dying. Though an unheralded innovator, whose genius helped the allies win World War Two – and whose innovations would play a part in the winning of the space race – all talk was on the other part of his life. Some commented on the ‘sex cult’ on Orange Grove Avenue in the 1940s, and the alleged demonic rituals there. Others on his professional, and personal struggles after the war. ‘I heard his wife left him for a science fiction writer’. ‘Wasn’t he fired after spying for the Communists, or Israelis, or someone?’. Others looked to his battles with depression in his later years – claiming the explosion a suicide attempt.
Those in the know, no doubt, knew Jack Parsons sweated a lot in the lab. Without his professional equipment, they supposed his hands slipped – dropping the mug. With a lab fuller than usual of dangerous chemicals, the resulting accident was far worse that it may have been. It is here – where we started this tale – that we leave our unlucky protagonist.
Ok, one more thing.
Out in space, 384,400 km from our planet is a large moon – orbiting Earth. As it moves in what scientists call a synchronous rotation, it never spins, and we only ever see one side of the moon. The side we don’t see is heavily pockmarked with craters. We know because rockets finally reached escape velocity. All manner of space craft have since photographed the so-called dark side. China, of all nations, finally landed a probe there in 2019. Some features are named for mythical figures like Apollo and Daedalus, others likely – at the very least semi-mythical figures like the Chinese inventor Wan Hu (who I may return to at some point). Others for scientists like J. Robert Oppenheimer, and Theodore Von Karman. On the far side of the moon is an impact crater, 40 km across – oval in shape. A little West- Northwest of Krylov, East of Moore. In 1972 it was named ‘Parsons’ in honour of Jack Parsons; arguably the true father of modern rocketry.